Marvel Comics announced last year that a female version of Thor would feature in a new storyline. Given that an African-American would assume the mantle of Captain America was announced at about the same time, it seems a reasonable suspicion that Marvel executives might have issued a “More Diversity” directive.
There was a degree of push-back on both Thor as a woman and Cap’ as a black man. I didn’t agree with the opposition to either character and still don’t. I’m very much in favor of stories that encourage an understanding of diversity. There is great value, particularly in entertainment that appeals to children and young adults, in a reader finding heroes that are readily seen as “like me” by said reader. This should not be limited to fiction either.
But I do understand why there was opposition. People are very resistant to change. In fairness, I don’t care as much about the dozen other characters who have taken up Captain America’s shield. If it isn’t Steve Rogers…
So, these additions to the Marvel Universe met with immediate and vociferous objection from many – including, in the case of Thor appearing as a woman, from fauxminist Joss Whedon. If there was a memo, he seems to have missed it. According to Variety, the creator of Buffy and director of Avengers said via Twitter:
“A female Thor? What the hell makes them think THAT would be cool?”
July 15, 2014
The likelihood that I’ll meet Mr. Whedon to discuss this seems a poor one. As he identifies as an atheist, I’m not sure his negative reaction to Thor as a woman is the one in which I’d most be interested. There are practitioners of Ásatrú (i.e., those who actually do worship Thor and other members of the Norse pantheon) and I’d rather chat with them about Asgardians in comic books – should I ever meet any. A far, far distant second place would be actual readers of Thor comics.
I was able to speak with a vocal protestor of the Thor-as-a-woman panic (who will be anonymous in this entry – as a courtesy). The objection boiled down to his confessed inability to glean as much meaning from a story when the central character is female. In essence, that renders every fictional woman an Unreliable Narrator. It would not be fair to suggest that this anonymous opponent of the female Thor went on to say the same lack of apprehension applied to true stories told by non-fictional women. He did not. And I hope not.
With the prospects of Ms. Thor, the objections seemed to go deeper and in a different way than Black Cap’. There was far more bile and venom thrown up about a “God” of Thunder portrayed as a woman. Nevermind that at least three women have lifted the Hammer in past comics. Fans don’t seem to have objected as much – if at all – when Loki appeared as a woman. (And why was that okay? There’s an entire other set of questions that could raise.)
Isn’t it likely that the gender and/or sexual preference of fictional persons is rarely the point of the work of fiction in which they appear? Tales are made of emotions, decisions, and words. English, unlike such languages of Greek and French, does not gender its words. Why, then, is our thinking so gendered? When we are defensive, what are we defending? And is it really under any attack?
I learned in preparation for this post that the Thor-as–woman title is selling better than the Thor-as–man issues. It was also news to me that the Captain America of at least one fictional future is Danielle Cage (the daughter of Jessica Jones and Luke Cage, a.k.a. Power Man).