The Second Law…

Six years ago, almost to the day, I was asked to create a 3-page comic for a magazine. The assignment was to make something challenging – even provocative. I chose to make the story an answer to the age-old question, “Why do bad things happen to good people?”.

The premise was that the Shaarei Tefillah (the Gates of Prayer) are closed. In essence, I used those Gates as a symbol of the Age of Miracles having come to an end. We’re told by several religions that our culture exists between an epic past and an epic future. Are we bored and eager?

Fiction has us in the doldrums between epics, too. J.R.R. Tolkien’s saga is set on this world – just 6,000 years in the past. Magic and epic was leaving Middle-earth. I recently read someone’s opinion that magic was alive and kicking even after the events of The Lord of the Rings. Although I’m not Tolkienist enough to argue, I will say it’s been a long while since I’ve seen a spider that wasn’t dwarfed by pocket change.

The opinion, however, stands to show that people Want their magic and will defend it. Tolkien’s suggestion that Arda (Earth) would face Dagor Dagorath (the End of the World) means that defense may be Pyrrhic-Cadmean and ultimately Sisyphean.

If the majority of arrows point in the same direction or aim at the same target, what is the point of other arrows? I am not writing (this blog or the stories it may mention) to be defeatist, pessimistic, or nihilistic. Quite the opposite. Therefore, the Second Law of Magic is: All magic is permanent – at least in my fiction. Any subsequent magic gets stacked on top to either counteract or augment the initial intent. But that first magic will always be there. (Yes, I can hear the arguments about entropy already. The answer to that is: Remember, this is magic.)

ThomaturgySo… what is a good person to do when a bad thing happens? I would begin with Shaarei Tikvah (the Gates of Hope). Sola Spes (By Hope Alone).

Hope + Compassion has been my definition for Minimally Human for at least the last 15 years. For about the same amount of time my motto has been, “The only raw material required to manufacture hope is time.”

And “minimally” may not be fair. Achieving that combination is often a high enough hurdle.

The Laws of Magic…

got-magicIs it fair to suggest that we each have an innate desire for life to be worthwhile? The possibility that we might waste our finite time with something inconsequential is irritating. To find ourselves so considered is infuriating. Are we born to the search for meaning or do we learn to seek it?

Regardless of its source, that need may be the origin of the concept of fate. The idea of having a destiny (and presumably a good one) appeals to our sense of making some sort of difference. A fate simultaneously helps us feel more secure about our future and our mortality. Without specificity, however, it also can aggravate our fear of the unknown. We want to be optimistic and so we hunt for data.

Our collective sense that the Cosmos can be known – or, at least, better understood – leads us to communication and quests for experience. It’s a far better motivation than merely alleviating boredom. And whether the alchemy that transforms experience into wisdom results from quiet contemplation or by a more public affinity, it is that magic that matters. How we share with a community, and it with us, is less important than the sharing itself – the act and the content.

Some believe that anything described by the term magic is evil. To an extent this view can be understandable (but not justifiable). Magic can both hearten and unnerve us. Emphasis on the latter, particularly when combined with ideology, can lead to book- and witch-burnings. The burning of a book that is believed to “teach” magic is in and of itself a ritual practice.

“…for there is nothing either good or bad, but thinking makes it so.”
Hamlet: Act II, Scene II. William Shakespeare

Others dismiss magic as being a primitive or irrational belief. Science, in effect, sides with religion in wanting to drive away the magical.

But what magic is and does depends on what we think. If I were going to propose that there be Three Laws of Magic, the first would be “Magic is a personal force.”

In my fiction, fate and magic play key roles. I have been wondering why. Having been a scientist, the answer is suddenly obvious only as I write this post: it is part metaphor and part escapism. Magic in my fiction has nothing to do with what I really believe and practice day to day. Outside of writing, were I to actually define my magic, it would probably be closer to the following:

that which contributes to understanding and/or ameliorates negative emotions (including fear of the unknown) especially if sudden inspiration is a factor.

Hey Presto!

Do I believe in magic? I do in mine.

–––

Couching a Tale…

The characters in any story may be compared with the id. The related ego is the author and any collaborators. The superego could be a combination of critique partners and editors. If this theory of mine is accurate, it may explain why writers will tell you they have arguments with their characters about what they would or would not do within the story. And while it is the author-ego who determines the “reality” of the story, the character-id makes it Go. A wise author will let the characters be the engine and do his or her job of driving.

There is an immensely strong id in Leanna Renee Hieber’s newest novel – The Eterna Files (released by Tor and available at fine booksellers like Barnes & Noble and here). The character in question is known as The Visitor (and by another name I’ll not reveal here (spoilers)). Within the context of Eterna’s first installment, The Visitor may be an actual zeitgeist – attempting to inspire the other characters as they face supernatural and potentially calamitous new realities.

Excerpt, The Eterna Files, p. 14 —
“What is it this time?” Clara gasped.
“Hello, Clara,” the visitor said quietly. One didn’t mistake an ordinary person for the visitor, for it brought with it the weight of time itself. “It’s been awhile.” The visitor smoothed the skirts of its long, plain, black, uniform-like dress, something a boarding school girl might wear. “Have you been waiting?” the visitor asked.
“I’m not a girl who waits,” Clara replied.
“That’s why I trust you,” the visitor said, pleasure in its voice.

The broader arc of The Visitor began before I was invited to be Ms. Hieber’s collaborator on some projects. The author of the above had written about her before in vignette and cameo fashion a few times before we’d actually even met. In what was unrelated brainstorming for possible inclusion in a well-known franchise, Ms. Hieber and I started to develop a strong, female character in command of her own starship. There were some difficult directorial reactions to our plans. And to the Captain’s plans. She – The Captain – almost immediately took command, as she’d been designed to do, of her own destiny.

Before long both Leanna and I had the epiphany that The Captain was The Visitor. That development and The Mission of Captain-Visitor character-id is only part of why I’m fascinated by The Eterna Files. I repeat my recommendation of buying the book and curling up on the couch with your copy.

Video credit: PsychWing and The Nerdy Duo

Excerpt, The Eterna Files, p. 16 —
“Why can’t you stop terrible things if you’re aware of them?” Clara demanded. “Why can’t I?”
“Not in our skill set,” the visitor replied. “You’ve taken too much ownership of something that is not your responsibility, Templeton. What is your responsibility, is to—”

“‘Wake up?’ Yes, I hear it, on the wind. In my bones. What does it mean?”
The woman gestured before her, to Clara’s iterations. “You see the lives, don’t you?”
“Yes.” Clara swallowed hard. “Do you?”

Georg Hegel is given credit for coining the word – zeitgeist. But he did not use the term. He believed that the spirit of the time is our own spirit and that “both” may evolve. The Visitor’s mission is the most heroic I can imagine and may be related to Hegel’s assertion that “World history is thus the unfolding of Spirit in time, as nature is the unfolding of the Idea in space.” I am genuinely excited to help write The Visitor’s future and past. She may prove to have an important role in A Song Heard in the Future and in at least one other story that sometimes makes it difficult to sleep.

“You see the lives, don’t you?”

Yes. Won’t you?

Sifting through the Message…

If there are authors who have just one story in mind, in development, or in progress – I haven’t met them yet. I have also not met Harper Lee but, given “Go Set a Watchman”, she won’t stand as an exception either. Neither can I.

Although I’m chiefly working on “A Song Heard in the Future” when I’m not working on Pandora’s Pets sculpture, there are two other novels cooking gently in the background. There is also the pleasure and honour of serving as co-author to Leanna Renee Hieber for a fair number of other books. Ms. Hieber has several novels on her brilliant mind as well – some with me in a contributory role and some without.

When the Muse makes her visits with economy in mind and brings an idea for each disguised as part of only one novel it can be a puzzling experience. For example, British anti-aircraft gunners were known to pose with wreckage of Nazi planes they’d shot down (if the crash site could be found).

ieImagine such a scene with the oar of a trireme instead of part of an aircraft. That is in essence what the Muse did today – but in a much more vague manner.

It can take a while to discern the intent of the Muse when she’s sent a Tweet rather than a lengthy email. What part is the oar and goes in “Song” and which part belongs in a WWII story I have in mind took some while. It was sifting through wreckage, if you will.

There’s some difficulty, however, in reminding each story of the priority you’ve decided for them. Saying “No.” to inspiration is generally not the best approach for an artist, I would suppose.

Maybe “creative process” should be plural.

Exorcising the Geist from the Zeit…

Depending on who it is speaking – the world is in poor shape. The cynic in me sees too many politicians seeking to sow fear and harvest votes. Similarly, the objective of advertising could be seen as the manufacture of a sense of need or want. These are symptoms. Pointing to them in cynicism does not mean I agree about the state of things. If one isn’t careful, however, the provocation to apathy based on futility could really grow discouraging.

I refuse to believe there’s nothing that can be done and no one to do it anyway. I reject ennui. It just doesn’t have to be that way.

Some years ago I praised a good friend for being on his best behavior as a general stance. I observed that many people are rarely on comparable footing – unless called to it specifically. Part of my hope in writing A Song Heard in the Future is that it may be seen as an invitation in the present. Perhaps if there is a more frequent call to being better the reminder might result in more evidence of good, including from myself.

The meme of “Keep Calm…” and innumerable and often frivolous permutations, and despite the commercialization, stems from good advice. The British Ministry of Information produced the original and actually motivational poster in the summer of 1939, in preparation for WWII: “Keep Calm and Carry On”.

Philosophically speaking, may we expect a better destiny by looking to inspire and inform? I would not presume to know the path. I can’t actually draw the actual map from here to “there”. But it seems logical that it involves beginning to turn away from doomsayers. While writing about Teiresias, I couldn’t have his prophecies be entirely of gloom and doom. Nor could his life and times be completely tragic. My motto has for a long time been, “The only raw material needed to manufacture hope is time.” The novel’s main character may prove to be of similar outlook.

I’ve long been leery of people who claim to know all of the answers. That’s not what I’m claiming here or in the novel. The first answer – the first step – is all I’ll point to right now. We have to expect better. That is one way to encourage better.

MediterraneanForgive me for not including a map to a better future. Unlike Teiresias, I cannot see it. This map represents many of his travels in my book and some of the paths followed by his three daughters.

“Five feet out that door is the real world…”

Teiresias-JanusSince I remembered Teiresias from grade school lessons about Greek and Roman mythology, I rather assumed he was a famous seer. In some recent conversations, it turns out he’s not that famous. I find the character fascinating because he stands in so many thresholds at once – between mortal and divine, sighted and blinded, male and female, and the present and possible futures. If Odysseus’ visit to Hades is included, the liminality of this world and the Underworld is added.

And for a persona so involved with seeing the future and curses of the gods, it seems odd that none of the stories about him (or her – as “Teireseia” in the novel I’m writing, A Song Heard in the Future) directly involve the Fates. It seems a glaring omission, to be honest.

Chorus: Who then is the helmsman of Ananke (Necessity)?

Prometheus: The three-shaped Fates and mindful Erinyes (Furies).

Chorus: Can it be that Zeus has less power than they do?

Prometheus: Yes, in that even he cannot escape what is foretold.

Aeschylus, Prometheus Bound

Writing is not just telling a story. The act of crafting a novel is a process of making decisions. Two of the largest choices, particularly when it involves research, are “Do I include this and, if so, how?” along with “What does this mean in context of the book I want to present?”

In showing the journeys made by Teiresias, there’s a journey for me. I think that may be part of my renewed fascination for the seer and all of his thresholds. In a recent conversation I said, “Each person lives only one day at a time.”

Within the talk it was meant as a reference to how much one person can do in 24 hours and within reason. It isn’t fair to measure one person by one day’s work and another by that of a decade. But in this post it means that each day can be a journey – even when it is a slice of the experience of someone who can see the future.

Janus was the Roman god of Start and Change. He was also the deity of doorways. It does not seem that there was a Greek equivalent. I am beginning to wonder if it shouldn’t have been Teiresias.

Zup-tor vu akarshif

Five years ago, the sudden realization struck me that I did not have Leonard Nimoy’s autograph. Given what his work meant to me, this seemed to be a particularly glaring omission from my collection of meaningful mementos. I became obsessed for the next few hours and first looked up how old he’d become. While wishing that he would be free from the eventual constraints of a mortal life – I soon knew that I did not have much time to have a particular book Mr. Nimoy had authored autographed.

Ascertaining if, how, where, when and in what conditions he might be in range of my attendance became an obsession. In the end I did, in fact, get my copy of “I am Spock” signed by one of my heroes – quite probably my first hero – and was able to thank him for his work. He did tell me, “You’re welcome.”

Now he has passed and I am deeply apologetic if this posting is how anyone learns of the news. It was, of course, chiefly Spock that made his career meaningful to me. I was still of single-digit age when I realized something about life – or at least living one – did not make logical sense. I could not define the problem nor solve it. Fictional Spock was not able to explain the situation to Young Me but he did become a role model in how I might handle emotions (my own and those of others) along with handling the irrationalities of this planet’s carbon unit infestation.

I don’t mean to suggest that I adopted Vulcan ways as my own. But I do have what I consider to be a rather unique perspective on what “being a Vulcan” would mean were they not a fictional race. I have long suspected other fans of things-Vulcan might consider my views heretical. Nonetheless, it was an incredibly ironic day when I learned Mr. Nimoy was no longer with us. I still don’t know how to process it entirely nor am I sure how long that may take. I found it helpful to find a quote from the end of The Wrath of Khan. Kirk’s son tells his father, “You knew enough to tell Saavik that how we face death is at least as important as how we face life.”

Dr. McCoy, later in the same film, says, “He’s not really dead. As long as we remember him.”

As I more fully invest myself in the writing career I have long-dreamt of, I do hope to have the opportunity to write at least one novel concerning Vulcans. The story does treat on the above mentioned “heresy” – and then I guess I’ll see how other fans may react.

Vaksurik rom-halan, Spock. Vaksurik rom-halan, Mr. Nimoy. I’wak mesukh-yut t’on.

The above – in Vulcan, of course – could be transliterated as, “I wish you a beautiful farewell, Captain Spock. I wish you the same, Leonard Nimoy. Time is not a single straight road.” The present is the crossroads of past and future.

Tales from the Hereafternoon…

The concept of the Audience of One has always fascinated me and said Audience is not necessarily always also the Muse. In brief, the concept pertains to circumstances when – if an artist’s work is seen by only a specific, intended viewer the artist can be content. (There’s a bit of that notion in this post’s title).

There was a time when I could reliably be expected to spend most of my day in thought, listening to good music, and engaging in rampantly philosophical discussions with one of my dearest friends – Randy Reitz. We both still do all of those things but for the past 15 years there has been 1,100 miles between.

This past week (with a few extra days added for good measure), he and I picked up about where we left off, and without much lost momentum.

He hasn’t been able to take the whole week off so I’ve been working on a new batch of Pandora’s Pets, which we debated might be called the “Worry Warts” batch. (The first set are called “Millstones”.)

Randy and I have always had an interest in the arts; all of them. I think it’s fair to say it took him longer to find his own. It’s also true that, once discovered, his art enjoyed a wider audience than did mine. Until recently, it rather surprised me when anyone but Randy took an interest in my creations. We have both, I believe, always tried to encourage each other but making art must come from the artist – regardless of how much encouragement there may ever be.

While making sculpture in his home, I realized that I tend to “hmmm” while in the process. The unconscious comes very near the surface as these tiny little demi-demons are summoned. The process is almost meditative, maybe. It isn’t only a metaphoric exorcism. Earlier today, between stages of making today’s Pets, I realized that my fingernails and fingertips are no longer stained from having been a smoker. When out “finding oneself”, no matter how often one needs a reminder, ask the folk who know who you have wanted to be.

I’ll be offering Pandora’s Pets for sale via ebay and etsy very soon. There will be a post about that once a few more details have been taken care of.

Tracing a Path…

Researching Greek mythology has worked better for me having adopted the view that the entire record is of a “shared fiction universe”. The best known stories from Pandora to Aeneas – and everyone in between – exist as amalgamations of many ancient tellings. Not every detail is identical when comparisons are made. There are certain contradictions, given multiple accounts, that are impossible to reconcile.

Argonaut-map-trim
The best example may be what happens when trying to establish the route of the Argonauts and duration of their travels. No fewer than five chroniclers of Jason’s journey draw widely different lines on the map between Colchis and Iolcus. If the trip was ever made, there can only have been one return trip. At least four maps are wrong.

Pindar and Hecataeus can’t be right because the world isn’t actually shaped as they thought it was. (One cannot sail from the Caspian Sea around the Arabian Peninsula to the source of the Nile.) The route chosen by Timaeus could be right but the surviving heroes would have taken years to return, not mere months. There is quite a bit of portaging involved in the path Apollonius of Rhodes prefers – including over the Alps. Helping drag a penteconter over a mountain pass is low on my to do list.

How a tale is told and what choices the author makes depend on intent. But they also reveal assumptions by the author and the zeitgeist in which he or she writes. When the world was small and known, exploration was not a virtue and therefore wasn’t an activity heroes got up to.

Henriette Mertz postulated that the Argonauts’ adventures took place largely in the Americas and suggests a Western Civilization emphasis. She moves Colchis from the Southern Caucasus to western Bolivia, South America, making it a metaphor of Tiwanaku.

In A Song Heard in the Future, two of the major characters about whom I’m writing do become Argonauts. One is a daughter of Teiresias and the other is a man who plays a very important – if symbolic – role toward the end of the Heroic Age.

I cannot say I’m completely aware of what may be my own biases. Nor would I be able to assess to what extent I think in terms of the zeitgeist. I’m as eager to find out as I hope future readers may be. The exploration of self may unavoidably be part of writing any novel (whether I draw a map or not). I hope that can mean writing a book is an invitation.

A Special Day —

On this day in history – in the year 1840 and in the 4th year of her reign – Queen Victoria married Prince Albert.

The Eterna Files

Between two conventions that are many miles apart, and on the night before the official release of her first hardcover novel with Tor Books, Leanna Renee Hieber still managed to Tweet about this blog. I’ve read The Eterna Files and, with the Nerdy Duo, was able to produce the official book trailer for the book. I’ve even done some fan art, though I did get a detail wrong. The badge should say, “Special Branch” and not “Metropolitan Police”.

omega badge

All of these experiences are special to me and I recommend the first one to you today.

Ms. Hieber has crafted a suspenseful tale about magic and mysticism that does not cross the line into the horror genre. There are too many stories in the world that don’t navigate away from that dividing line. The author expertly avoids losing control of the story she needs to tell.

While I cannot say that Ms. Hieber is the reincarnation of Sir Arthur Conan Doyle, because I do not believe that’s the case, I am fairsure that whomever she was during the Victorian era – she would have been attending the same symposia on Spiritualism as that kindred author.

Buying the book – and today – is strongly encouraged. Ms. Hieber’s professionalism and true love of her craft is a significant part of why I feel encouraged to the same in my own work. Liking her Author page is also adjured because developments there are announced with the deliberation of Sir Doyle’s most famous creation. Both the book and the Like are truly worth your time.