deviations from the plane of the ordinary…

In the summer of 1835, The Sun (of New York) published a series of articles that purported to describe scientific discoveries of a civilization of bat-winged humanoids on the Moon. Belief in what turned out to be a hoax was widespread. Richard Adams Locke, an editor for the newspaper, revealed himself as the author five years later. He also served as editor for Edgar Allan Poe, who claimed the story was essentially plagiarized from his own “The Unparalleled Adventure of One Hans Pfaall”.

A little more than a century later, two men sat discussing fiction of their own on a bench near The Edgar Allan Poe Cottage (2640 Grand Concourse, Bronx, NY). The deservedly famous and still sometimes unfortunately maligned author had made his home in that modest setting during the last years of his life. The two men inspired there were Bob Kane (born Robert Kahn) and Milton “Bill” Finger – the creators of Batman.

They may not have known about the man-bats on the Moon but they were undoubtedly aware of Poe’s creation – C. Auguste Dupin, who has been on my mind while developing Astral. Sir Arthur Conan Doyle is quoted as having given credit to Poe for inventing the detective genre. Doctor Watson compares Sherlock Holmes with Dupin in their very first adventure (“A Study in Scarlet”, 1887).

Of the pair, only Mr. Kane went on to fame within the comic book industry. His co-creator had been responsible for writing the first story (Detective Comics № 27, May 1939). Finger provided the origin for Batman six months later. The names “Bruce Wayne”, “Gotham City”, and the epithet “The Dark Knight” are now all attributed to Bill Finger. It wasn’t until 1989, fifteen years after the man he then called ‘friend’, did Bob Kane begin to admit how essential Finger had been. The reputation and influence of Mr. Finger is still being rebuilt.

Both Finger and Poe might have recognized in each other kindred spirits. The former died in poverty and relative obscurity. The author who inspired him was abused and disparaged by jealous peers. Batman’s computer system is, from time to time, nicknamed “Dupin” and Poe sometimes appears as a fellow investigator in the Batman universe (“The Mystery That Edgar Allan Poe Solved” – Gang Busters № 49, Dec 1955/Jan 1956. reprinted Detective Comics № 417, Nov 1971. Batman: Nevermore, 2003.)

Batman’s costume is the first I remember wearing for Halloween (at some point before 1970). I’ve been a fan of the mythos for more than four decades. So it struck me as odd to learn almost in passing at a convention I recently attended of this detail of the bench in front of Poe’s last home.

bat-poe

The image included here combines the minimalist Bat-emblem from Batman: Zero Year in DC Comic’s universe-relaunch The New 52 with a production photograph of Stefanie Rocknak’s magnificent bronze statue of Poe, which now stands on the corner of Boylston Street and Charles Street two blocks north of Poe’s first home.

As yet, there’s no statue to Bill Finger but Marc Tyler Nobleman has been attempting to have a memorial bench placed in his honor near the Poe Cottage.

warped speed…

Batman has been criticized for not doing enough and/or not doing the right things to truly help Gotham City. As the real world economy has grown since the character’s inception (May 1939) the character’s wealth has had to expand to maintain a sense of plausibility if not verisimilitude.

Forbes estimates the Wayne family fortune at $6.9 billion. And, while that’s not Bill Gates-rich, it would make Bruce Wayne roughly the 231st wealthiest person in the (real) world – just after David Geffen. A cost analysis indicates it would cost $200 million to start a career as the Dark Knight, just a little more than it takes to produce a film about him.

Batman’s enemies have from time to time suggested that he’s just as crazy as they are. Some of his detractors in the real world have voiced the opinion that Mr. Wayne is deliberately keeping Gotham poor. In his ScrewAttack! video, “Does Batman Need a New Origin??”, Bob Chipman (a.k.a. MovieBob) makes the case that the Wayne Foundation could do quite a bit more to alleviate poverty and other cause of crime than nightly patrols and subsequent kicking of ass seems to.

batwarp

But that’s not the point —

The overarching Gotham mythos has become largely based on the concept that the human psyche is fragile enough that one bad day is all it might take to cause it to snap. While the comic went nearly three years before giving Batman much backstory. when it came the story hinged on trauma. In reaction to the death of his parents Master Wayne vowed to “avenge their deaths by spending the rest of my life warring on all criminals.” № 33 (Nov. 1939).

The Joker – undisputed king of the One Bad Day origin – did not appear until the following year and went on to make the trope the overt premise of “The Killing Joke” (1988). Anyone, the Clown Prince postulated, will go mad given enough provocation and that can be accomplished in a remarkably short period of time. In a sense, Bruce having been traumatized as a formative event gradually set a tone that nearly all of his opponents now follow.

Dragon Con. Sept. 3, 2016. 7:03ᴘᴍ —

I was wandering and exploring the event when I happened by a panel already in progress: Representing Disability and Trauma (in Comics). Daniel Amrhein (Journey into Awesome) was the moderator. Courtney Bliss (Bowling Green State University) and Kari Storla (USC Annenberg) were his guests.

There are a number of reasons that I chose to sit quietly in the back of the room. I was late, for one. Comics – not just Batman – have been an interest since at least the mid-70s. As an epileptic, it is sometimes easy for me to forget that I have a disability so I’ll take the opportunities of reminders in writing about them more properly when they appear. There have been a few events in my life that might technically count as trauma but I don’t often view them as such. I’ve had bad days. Who hasn’t? They didn’t make me snap.

There may be a manner in which the topics presented in the panel may be discussed without trigger warnings. We haven’t reached that stage of discourse as a society. One person did leave during the talk. A fairly wide range of life events were discussed as was the stigma that victims of traumatic experience face and, similarly, those who have disabilities. Life can be difficult enough but one of the very strong points made was that trauma or condition notwithstanding each human psyche moves on.

Toward the end of the panel, Ms. Storla made the point that mental illness, when presented in fiction, is far more often than not an oversimplified ‘sane + trauma = condition’ sort of formula. An insane character is defined by their condition without any other aspect of a personality being presented well – if at all. What the audience needs to know, authors presume, is the character in question is just crazy. Only crazy.

I’ve known at least one person who could be called “crazy”. That’s part of the personal trauma about which I’m being vague. No, I don’t mean myself. During lucid moments such people can be very aware that something is wrong – that their own behaviors are not preferable. They themselves may find certain of their words and deeds beyond both their control and comprehension. These are facets of their existence as human beings not the whole.

Mr. Amrhein observed that, “being hit on the head doesn’t make people leave riddles for Batman. Being shocked or dumped in chemicals doesn’t make someone ‘crazy’. Being burned with acid doesn’t result in dissociative identity disorder.”

I then asked the panelists that, if they were writing for ‘insane’ comic book characters, how would their approach be different. The moderator replied that rather than the reliance on outdated tropes he would like to introduce modern research and the views of experts. In his opinion – and he’s not wrong – many creators of comic books draw from preexisting canon and recycle it. This perpetuates the outmoded concepts and contributes toward perpetuating misunderstanding. Ms. Storla said she would want to bring in feminist trauma theory (which I’ll be reading up on).

Until this panel (and MovieBob’s video), I had viewed Batman’s adversaries as each presenting a facet of human obsession but that all of them represent an unfair and outdated model of a disordered psyche. Each is an exaggeration of the strengths and virtues of the Dark Knight – twisted in antisocial ways. All of this was – in the moment and lasting since – rich food for thought and a valued reminder to remain mindful with regard to characters who are out of their minds. We are stronger. We adapt. It’s part of human nature. It should be part of the characters we create.