ever widening…

So, I learned a new word yesterday: kathenotheism.

It describes belief in a sequence deities and a succession of supremacy. Veneration of a series of deities, each in turn, might be painted as the theological equivalent of respect for the office of the presidency rather than of any given office holder. Both the term and concept are new to me and I’m fascinated.

Given my long-standing curiosity about non-Christian faiths and Greek mythology in particular, it seems odd that this did not cross my radar much sooner. Kathenotheism should have come up during an examination of the Smarta Tradition of Hinduism if not of Orphism.

In Astral, the novel-in-progress, there is a faction that might have developed a faith separate and distinct from other groups in their society. Now I will probably have this one-by-one Supreme Being notion be part of their religion.

My introduction to kathenotheism came during research into what’s called “conreligion” by some. This is the practice, related to conworlding, of constructing a fictional religion – usually for a roleplaying game setting or work of fiction. Apart from the gods themselves, ritual practices, and creation myths another aspect of this effort can be making a determination as to whether society is regressive, progressive, or cyclical.

In more than a few religions the Earth was created perfect and has been losing ground ever since. This was part of the Aztec view and is found in some movements within Hinduism. In both the current Age is held to be the worst of four or five. In Vedic belief the next Age with be newly Golden. Hesiod, in his “Works and Days”, wrote of something similar but says little to nothing about starting again.

In politics there is a theory some espouse that our nation was at its best at some time in the past. The phrase “Greatest Generation” can be seen as the equivalent of a high-water mark. The myth of the Golden Age is the primary underpinning of cries of “taking the country back”. Though common today it is hardly a new perspective.

I’m more optimistic; I learned at least some of my humanism and idealism from Gene Roddenberry, after all. I am a bit skeptical about whether we’ll achieve the kind of utopia he imagined but I do agree with Martin Luther King, Jr.: “The arc of the moral universe is long, but it bends towards justice.”

In his response to the Montgomery bus boycott, Dr. King was making a reference to Theodore Parker from almost a century earlier: “I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight; I can divine it by conscience. And from what I see I am sure it bends towards justice.”

If the path of history is not progressive we can still want it to be. Write and work to help guide it in that direction. Any and every virtue can be used in place of “justice” in the quotes above. If entropy is a strong factor in societal development we have to wonder why any civilization achieves any greatness at all – let along begins in the first place.

Historically and globally, we humans have been worried about ‘how it will all end’. Changing that to a concern with an endpoint would, I think, be preferable. We’re also a species rather obsessed with our own free will and intellect. Ages come and go, kath’ héna (καθ’ ἕνα). Going with the flow while circling a metaphorical drain belies those aspects of which we are so proud.

For that faction in Astral I may be trying to combine both progressive and regressive trends with a cyclical pattern. I’ve taken a line like the one traced in a seismogram or encephalogram (etc.) and twisted it along a spiral.

Cyclical-Divine

If there is any truth to the cyclical nature of Ages and if effort to build and maintain virtue (including justice), peace, and harmony can make this Age better than we find it – maybe the next Age can be even better. I don’t think it matters if we ever have proof.

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It’s been a long time…

In Star Trek: Communicator № 149 (April/May 2004), Jimmy Diggs¹ presented adversaries of The Next Generation as avatars of the Seven Deadly Sins. He was to have contributed a Pakled story to an anthology based on this premise and published by Gallery Books in March 2010.

Sin

Romulans were presented as Pride and the Klingons as Wrath. Not surprisingly, the Ferengi were featured in the Greed chapter. The Cardassians, who often alluded to paucity and lost glory, personified Envy. At this point, in my opinion, the analogy somewhat breaks down. Gluttony was illustrated by way of the Borg. Diggs had suggested Larry Niven’s Kzinti² for Lust but the anthology went with the Terrans of the Mirror Universe.

Last and least, the representatives of Sloth were the Pakled. I’ve felt this unnecessarily elevated a minor league “villain race”; they were featured in only one episode of TNG (“Samaritan Snare”, S02E17). It is true that background performers portrayed Pakleds in about 10% of Deep Space Nine. I still find them irritating and of inferior caliber compared with the rest. Even the Ferengi were sometimes entertaining during the DS9 series.

Presumably, the vices of these seven spacefaring species are balanced by the virtues of the United Federation of Planets.

Kzin

¹ Jimmy Diggs was the writer of one episode of DS9 and six episodes of Voyager.

² The Kzinti predate the premiere of The Original Series of Star Trek by eight months, first appearing in World of IF magazine. Seven years later the two universes merged slightly in a single episode of The Animated Series (“The Slaver Weapon”, S01E14). Had Star Trek: Enterprise continued for a fifth season, executive producer Manny Coto and Jimmy Diggs planned to reintroduce Niven’s marauding space cats. The Kzinti have long been part of Star Fleet Battles, a tactical wargame, currently published by Amarillo Design Bureau. I’ve often chatted with Friend-Admiral Diggs. I know he was a player. Despite this, the aggressive feline race are not considered official “canon” in the Star Trek universe.

That said —

Last week I was musing on the Kübler-Ross model, better known as the Five Stages of Grief. Although some in the field of psychology view the construct, first proposed in On Death and Dying by Dr. Elisabeth Kübler-Ross in 1969, as scientifically flawed awareness of it is pervasive. Many do consider it a useful idea ­– a reminder that we should progress from our sorrows by and to our optimism and effort.

Imagine, instead of the most “celebrated” sins, that some of the alien species in the original series were archetypes of the stages.

It should surprise no one who has visited here that my favorite race in Star Trek has always been the Vulcans. Gene Roddenberry’s Writers/Directors Guide says of Spock:

Denial

“We now realize that Spock is capable of feeling emotion, but he denies this at every opportunity. On his own planet, to show emotion is considered the grossest of sins. He makes every effort to hide what he considers the ‘weakness’ of his half-human heredity.” — p. 14, Third Revision

From the start ­the Vulcans – or at least Spock – are explicitly the icons of Denial, the first stage of dealing with loss and grief. Some presentations of Kübler-Ross’ theory place Shock or Disbelief before Denial. In “Immunity Syndrome” (S02E19), Spock says of some other Vulcan Starfleet personnel, “Their logic would not have permitted them to believe they were being killed.”

Where the Sins construct makes Klingons Wrath, the Stages version would see them as Anger. The Orion Pirates were left out of both Diggs’ article and the anthology. Had they been included they might have been either Greed or Lust. Here they are an obvious choice for Bargaining. Both the long periods of isolationism of the Romulan Empire and their usage of cloaking devices make them reasonable candidates for Guilt/Depression.

The last stage is usually Acceptance. Hope completes some lists. The initial theatrical release of Star Trek: The Motion Picture ended with an optimistic note for the audience: “The human adventure is just beginning.”

In the final episode of TNG (“All Good Things…”, S07E25 & 26), the cosmic entity Q tells Captain Picard, “That is the exploration that awaits you. Not mapping stars and studying nebulae, but charting the unknown possibilities of existence.” This is sometimes mentioned as having initially been a statement of Leonard Nimoy’s adapted as a line of dialog by scriptwriters Ronald D. Moore and Brannon Braga.

When one considers Gene Roddenberry’s humanism and optimism it seems more than fair to presume he’d have picked humans to round out this analysis. Humans are Hope and Acceptance. At least, we may be.

And_the_adventure_2071


midnight oil…

Growing up I was not introduced to worship and faith in what I would describe as a helpful manner. That having been said, several members of my extended family were quite religious. The manner of their practice focused on the prohibitions and consequences rather than anything that could be described as love or virtue. I did get the lesson that we – human beings – were to oppose evil but there wasn’t any clear indication of an effective methodology.

Early on my experience with God distilled to an unrelenting and judgmental view of humans, in which they were essentially worthless, while giving them the loftiest of assignments. It isn’t remotely logical even to someone in grade school.

By the time I was twelve years old I divorced myself from attending church although, at that age, that wasn’t the phrase I used. I just stopped going. Theology became a cerebral, philosophical matter for me. For a time I dismissed faith as belonging to the same category as superstitious belief in fairies or magic. I did not embark on a life of deplorable behavior or debauchery. That path seemed dangerous; avoiding it was not based on the avoidance of sin. The concept of sin was also grouped with legends and fables.

As a subject theology (in a number of ways in which humanity has approached it) has stayed with me as an object of fascination. The notion of “evil” remains an idea that I’ll spend time pondering. A worthy handbook on the subject would, I think, provide 1. a concise but through definition of evil, 2. training on how to recognize it, and 3. procedures for to do when it found. Scripture and religious texts are actually fairly vague on these points – apart from praying to and praising the divine.

I have from time to time asked people how they address the first point. The most frequent answer is that evil is defined as “anything that causes harm”. On face value that makes sense but razor blade can cause harm. I wouldn’t call them evil. Given the assignment to resolutely stand against evil, usually no matter the cost – to attack it continuously until it is banished – it seems to me that evil has to be something so universally heinous that most people would agree, “Yeah. That has to go.”

From an intellectual stance and for more than a decade I used a formula in place of “evil”. What almost everyone else used that term to describe I would evaluate as a combination of stupid, crazy, and/or cruel. That does cover a wide range of objectionable behavior and wretched results. Were I to include a fourth element it would probably capture the willfully contrary and/or ignorant.

Stupidity does not require endless war; it can be “cured” with ongoing education. Insanity can be mitigated including by the hospitalization of those beyond treatment. The correction of cruelty falls in part within our education system and, failing that, our justice system. History has many example of how to correct those who deliberately oppose truth: shame, guilt, and other forms of peer pressure – resulting in exile as a last resort.

Evil would therefore be something outside those categories. I’m afraid I cannot provide Article I of a Moral Constitution. The above, I think, accounts for some of the things that evil is not. Recent research does, however, remind me that there are a few hundred named demons in past. There are fewer than 20 named demons in the Bible. Renaissance fascination with the occult provides most of the rest of the roster.

I once read that “public belial” used to be a crime. Unfortunately, I cannot find any proof of that now. Rather than working on the three-point handbook I may gradually add to a list of which demon represents what societal sin.

Belial – assholes generally; Mammon – unrestrained capitalism and obsessive greed; Baphomet – obstinate know-it-alls (à la “My mind is made up. Don’t confuse me with the facts.”); Dagon – anything that teaches, glorifies, or encourages poor behavior; Moloch – those who oppose and obstruct another’s effort to do an agreed upon good; Abaddon – fearmongers and those who foster enmity instead of amity; Pythius – peddlers of alternative fact and those who obscure truth.

sin-sign

In these times it is interesting to note that in 1818 Jacques Collin de Plancy gave Rimmon as the name of the demon ambassador of/to Russia. There’s another point of trivia from esoterica that I can no longer connect to a source. The above image of a symbol for sin. It is identical to one of the alchemical symbols for sulphur apart from the “rocker” at the top. Use it in good health.


⟢ ⟡ ⟣

strangely familiar…

Since the release of Pokémon GO, I had been attempting to understand just why it had become a social media phenomenon. “I just like it.” That’s the most common answer given by pokénthusiasts – who are not just existing fans of the 20-year franchise enjoying a new expression of it – when asked why they play. At face value that is a perfectly reasonable explanation. Attempting to probe deeper may prompt defensive responses and/or accusations of being a hater of one type or another.

I have lately been borrowing a friend’s Pokédex to emulate their experience with the game – hatching, catching, and watching evolutions. There have not yet been any training nor any battles fought. The animation and use of color are certainly part of the appeal. The use of Google Maps in navigating the augmented reality fascinates me. First of all, it’s a very clever shortcut in coding I’m sure. It also appeals to my long-standing (and previously documented) love of maps.

Many – not all – of the creatures are cute and I cannot really claim to be immune or opposed to cute given my Pandora’s Pets creations. Like the Pets, Pokémon has a deep lore from which to draw. Admittedly, the mythology I’ve been developing for my little monsters isn’t as fast as that of Pokémon – yet. And just like the Pets, which are designed to help people with specific emotions, each of the pokémon might prompt a new thought.

One of the newest pokémon – released in Sun & Moon this past November – is Lunala, an emissary of the Moon. While preparing this post I discovered her and found myself saying, “Okay. When she’s in Pokémon GO I’ll play.” And then I found myself asking why I’d had that reaction. That is apart from her seeming particularly badass.

lunala.gif

She reminds me of Starhawk from Marvel’s original Guardians of the Galaxy comics (yet to appear in MCU films) and the Elven Man-o-war ships from the Advanced Dungeons & Dragons Spelljammer campaign setting.

starhawk trim.jpg

With a sci fi novel in progress and the intent to retrieving the ancient Greek myth story from the back burner, I’m not going to let myself get distracted. A few new ideas have popped up while examining this bit of zeitgeist and they’ve been filed away. But spending a little time at the PokéStop has reminded me of a few other strange things.

Johann “Trithemius” Heidenberg was an abbot known for compiling dictionaries and writing about cryptology. History also holds him to be an occultist, chiefly due to misinterpretation of his book Steganographia (written c. 1499). The term used as the title means, in essence, the art of hiding a secret message within a presumably mundane text. Trithemius chose to present this manual as a means to summon spirits that might then be forced to transmit messages over great distances. Depending on one’s perspective, the result would be clairsentience or a worldwide mystic web.

tritemius-wheel-v-pokeball

Trithemius’ decoder wheel and a poké ball.

Most of the abbot’s contemporaries seem to have missed the point – a lesson in code – and focused on the magic. The abbot was an opponent of the historical Dr. Johann Georg Faust and Steganographia inadvertently inspired a 16th century craze: catching demons. An advisor and astrologer to both Queens Mary and Elizabeth, Dr. John Dee, was all in – even designing a mystic sigil to represent himself and certain hopes. He was the first to use the phrase “British Empire” – and then as an aspiration.

John Dee would certainly have known about a number of spirit-catcher manuals including Steganographia, Ars Goetia, and Pseudomonarchia Daemonum by Johann Weyer. The latter two grimoires provide names and descriptions for a number of demons (72 and 69, respectively) along with the advantages of summoning and binding each one. King Solomon is said to have done this to speed construction of his famous Temple. Why not by Elizabeth I to expand the reach of Britannia?

medieval-pokemon-trainer

12th century Pokémon trainer waiting on that egg to hatch.

The origin of these spirits may have been the result of a misconception but they seem to be as difficult to “put back” as the woes and evils that sprang from Pandora’s box. Goetic names turned up through the French Revolution and now are mentioned in comic books and manga, TV shows and roleplaying games. At least half a dozen names that John Dee might have mentioned to his sovereign have been used in Pokémon’s cousin – Yu-Gi-Oh!

I’ve been aware of these opposite numbers to the Shem ha-Mephorash (המפורש שם, the Qabalistic hidden name(s) of God) since 1982 but from nothing more arcane that the DragonQuest rpg by Simulations Publications, Inc. (SPI). The spirits that Dee hoped to harness appear in the works of Wayne Barlowe since 1998.

In a conversation with my business partner, Leanna Renee Hieber, about all of these notions she made the connection that the Elizabethan obsession and pokémania had a lot in common.

Ladies and Gentlemen:

staryu-and-decarabia-copy

Decarabia as seen in Shakugan no Shana and Staryu from Pokémon.

Peculiar creatures and imaginary lore seem to have always been poking around the marginalia of our minds and zeitgeist. This was true when – in the mythology of the founding of ThebesCadmus fought a dragon and later became (evolved into?) one. The borders of Medieval manuscripts, including apparent wars with rabbits and snails, demonstrate that weird beasts would not disappear even given 3000 years. Pokémon may be the latest expression and if so folkfauna may evolve forever.

And we may never know why they keeping turning up, precisely why we like them, or what they mean. All this to say, I’m not completely sure that I shouldn’t at least nod a little toward all of this in Astral in some way. Hmm. I’m not completely sure I’ve a choice in the matter.

fill in the blank makes the world go round…

Not being an economist suggesting an alternative to existing answers to the problem of unlimited want v limited resources would very likely not provide a utopian blueprint. With that in mind, ideal societies are probably best left as part of the domain of satire and/or fantasy. Astral – the working title for my science fiction novel in progress – does not attempt to paint a grand and perfect future for humanity the setting. Nor is the setting a dystopia.

Blade Runner (Philip K. Dick, K. W. Jeter) mentions off-world colonies and the supposition is that they are not all people might hope. In Joss Whedon’s Firefly/Serenity we’re told, “Earth That Was could no longer sustain our numbers; we were so many.” There’s a streak of disposable planet in science fiction that my first love in the genre – Star Trek – avoided almost completely. The inhabitants of Earth had, in fact, abandoned a dangerous courtship with self-extinction and Starfleet’s mission to seek out strange new worlds was not just about mineral rights.

better-worlds

As mentioned in prior entries here, the world(s) of Astral spans about 60 solar systems. The motivation for expansion splits the difference between Earth being used up and something Neil deGrasse Tyson said about a year ago (Oct. 2015): “If you have the power to turn another planet into Earth then you have the power to turn Earth back into Earth.”

Most science fiction does not concern itself with the cost of putting fleets of ships in space and terraforming exoplanets. Again, not being an economist, I’m not planning on making any estimates in that regard. However, just as I’ve been musing on alternative political structures, the future on Earth’s colonies is not mute about the downside of capitalism and its contentious cousins.

There are at least half a dozen private entities reinventing space travel and while that’s thrilling it also based on some aspect of a profit motive. That has certainly been part of the equation in all exploration – from Magellan and before to NASA and beyond. This is probably not going away but it could actually get us into space even in the sci fi sense.

A friend of mine once observed that the utopia of Earth in Star Trek was not – could not be – based on some flawless ideology and the logical consequences of implementing it. Someone prior to the career of Mr. Spock had invented a machine that turned energy into matter. The cornucopian replicator solved all the quandaries of what to produce, in what manner, and for whom.

I wanted to argue with him at that point and part of me still does. Pointing to the problems in Star Trek has always bothered me and quite a bit of my thinking over the years has gone over the same steeplechase as others in fandom to mend plot holes. With Astral that’s a reminder to avoid some of them during the making of.

The Federation is not faced with the riddle of a used-up planet somehow still able to build enough ships to colonize and exploit strange new worlds. The philosophy of “The needs of the many outweigh the needs of the few or the one.” is a direct and natural result of technology solving major sources of waste, class-based tensions, petty behaviors and so on.

The first human colony in the world(s) of Astral was Mars. There are at least four links in a chain from there to α Fornacis/Dalim where the story opens. That chain is not a disintegrating set of broken and corroding links. There is without doubt satirical value in suggesting any human destiny in space will be a series of strip-mined worlds under runaway greenhouse atmospheres but I remain more hopeful… still.


ѱφ

warped speed…

Batman has been criticized for not doing enough and/or not doing the right things to truly help Gotham City. As the real world economy has grown since the character’s inception (May 1939) the character’s wealth has had to expand to maintain a sense of plausibility if not verisimilitude.

Forbes estimates the Wayne family fortune at $6.9 billion. And, while that’s not Bill Gates-rich, it would make Bruce Wayne roughly the 231st wealthiest person in the (real) world – just after David Geffen. A cost analysis indicates it would cost $200 million to start a career as the Dark Knight, just a little more than it takes to produce a film about him.

Batman’s enemies have from time to time suggested that he’s just as crazy as they are. Some of his detractors in the real world have voiced the opinion that Mr. Wayne is deliberately keeping Gotham poor. In his ScrewAttack! video, “Does Batman Need a New Origin??”, Bob Chipman (a.k.a. MovieBob) makes the case that the Wayne Foundation could do quite a bit more to alleviate poverty and other cause of crime than nightly patrols and subsequent kicking of ass seems to.

batwarp

But that’s not the point —

The overarching Gotham mythos has become largely based on the concept that the human psyche is fragile enough that one bad day is all it might take to cause it to snap. While the comic went nearly three years before giving Batman much backstory. when it came the story hinged on trauma. In reaction to the death of his parents Master Wayne vowed to “avenge their deaths by spending the rest of my life warring on all criminals.” № 33 (Nov. 1939).

The Joker – undisputed king of the One Bad Day origin – did not appear until the following year and went on to make the trope the overt premise of “The Killing Joke” (1988). Anyone, the Clown Prince postulated, will go mad given enough provocation and that can be accomplished in a remarkably short period of time. In a sense, Bruce having been traumatized as a formative event gradually set a tone that nearly all of his opponents now follow.

Dragon Con. Sept. 3, 2016. 7:03ᴘᴍ —

I was wandering and exploring the event when I happened by a panel already in progress: Representing Disability and Trauma (in Comics). Daniel Amrhein (Journey into Awesome) was the moderator. Courtney Bliss (Bowling Green State University) and Kari Storla (USC Annenberg) were his guests.

There are a number of reasons that I chose to sit quietly in the back of the room. I was late, for one. Comics – not just Batman – have been an interest since at least the mid-70s. As an epileptic, it is sometimes easy for me to forget that I have a disability so I’ll take the opportunities of reminders in writing about them more properly when they appear. There have been a few events in my life that might technically count as trauma but I don’t often view them as such. I’ve had bad days. Who hasn’t? They didn’t make me snap.

There may be a manner in which the topics presented in the panel may be discussed without trigger warnings. We haven’t reached that stage of discourse as a society. One person did leave during the talk. A fairly wide range of life events were discussed as was the stigma that victims of traumatic experience face and, similarly, those who have disabilities. Life can be difficult enough but one of the very strong points made was that trauma or condition notwithstanding each human psyche moves on.

Toward the end of the panel, Ms. Storla made the point that mental illness, when presented in fiction, is far more often than not an oversimplified ‘sane + trauma = condition’ sort of formula. An insane character is defined by their condition without any other aspect of a personality being presented well – if at all. What the audience needs to know, authors presume, is the character in question is just crazy. Only crazy.

I’ve known at least one person who could be called “crazy”. That’s part of the personal trauma about which I’m being vague. No, I don’t mean myself. During lucid moments such people can be very aware that something is wrong – that their own behaviors are not preferable. They themselves may find certain of their words and deeds beyond both their control and comprehension. These are facets of their existence as human beings not the whole.

Mr. Amrhein observed that, “being hit on the head doesn’t make people leave riddles for Batman. Being shocked or dumped in chemicals doesn’t make someone ‘crazy’. Being burned with acid doesn’t result in dissociative identity disorder.”

I then asked the panelists that, if they were writing for ‘insane’ comic book characters, how would their approach be different. The moderator replied that rather than the reliance on outdated tropes he would like to introduce modern research and the views of experts. In his opinion – and he’s not wrong – many creators of comic books draw from preexisting canon and recycle it. This perpetuates the outmoded concepts and contributes toward perpetuating misunderstanding. Ms. Storla said she would want to bring in feminist trauma theory (which I’ll be reading up on).

Until this panel (and MovieBob’s video), I had viewed Batman’s adversaries as each presenting a facet of human obsession but that all of them represent an unfair and outdated model of a disordered psyche. Each is an exaggeration of the strengths and virtues of the Dark Knight – twisted in antisocial ways. All of this was – in the moment and lasting since – rich food for thought and a valued reminder to remain mindful with regard to characters who are out of their minds. We are stronger. We adapt. It’s part of human nature. It should be part of the characters we create.

What’s in it for M.E.?

A destiny in space for homo sapiens is certain – or at least I’d like to think so. What form it takes is a matter for debate. The sociopolitical part of world-building for the far future of Astral prompts questions of how humanity will change they it fits and starts toward its fate.

The backstory of space travel in Astral sees the first steps in this regard with ten colonies (between 4.39 and 19.92 light-years distant). A second tier of expansion is launched from those initial settlements and not Earth herself. By extension, through these “grandchildren” colonies, her reach grows from 11 worlds (M.other E.arth† included) to 28.

fade-reach

Globalization on one world may be inevitable. Stretched through interstellar space it becomes imperialism. There is a Chinese saying‡ that suggests a family’s great wealth should not be expected to last through three generations. The proverb is often used as a reminder that a meritocracy is better than honoring tradition and legacy. Some of M.E.’s grandchildren will declare independence particularly where greater prospects derive from looking forward rather than back.

wealth

After settled planets divide into factions, M.E. and her remaining loyal worlds would seek to safeguard her dominance. Laws designed to limit rival colonial “families” would be imposed. From the moment they were enacted, however, the decline of the “Solar Empire” would have begun. Tier III of expansion, during which the events of Astral take place, would bring the count to 63 worlds and the range to 39.26ʟʏ from Earth. The original homeworld would exercise control (directly or by extension) over just 52.38%. The next jump in adding new worlds would see M.E.’s control slip below the halfway point.

With a somewhat unsafe, difficult manner of faster-than-light travel and each world using genetic engineering to make up for shortfalls in terraforming, the definition of human and the proper use of homo sapiens as a description will – of necessity – change. Evolution in isolation is known to create a wide divergence of traits, ultimately leading to entirely new species.

cats-awayAnother Chinese maxim equates to, “While the cat’s away the mice will play.” But it’s more poetically transliterated as, “Heaven is high and the emperor is far away.” Strange new worlds will raise new ideologies and new approaches to the economic problem. The more distant and different the world the more likely influence of any kind from M.E. will be subject to a metaphorical inverse-square law.

The culture of an extra-global humanity will grow ever more diverse. Over time, there will be a family resemblance but that will fade with M.E.’s importance. Any Terrestrial alliance will depend on keeping the extended family loyal, embracing many forms of adaptation, and implementing an active program for innovation: better genetic designs and more efficient terraforming.

Clutching to a status quo, let alone any irredentism, would require FTL capacity that was significantly better than other “humans” were using and an ability to revert to conventional warfare, an inconvenient practice between any two planets in this construct. There is in this a subtle nod toward the Earth-that-was in Joss Whedon’s Firefly/Serenity. Unlimited want and limited resources will eventually use up any world. Improvement of FTL travel may be beyond M.E.

If a human presence in space involved civil war M.E.’s side would likely be much smaller than 51 of 111 worlds in the projected Tier IV. The range in that event would probably not extend to 67.16ʟʏ. And, as it happens, we don’t have to wait hundreds of years to be concerned by hyperbolic ideology, reflexive sectarianism, or economic obsessions. There’s room for evolution there too without altering the meaning of human.


† Is this proverb used when discussing North Korean leader Kim Jong-un (김정은) or a present presidential campaign in the US?

‡ “M.other E.arth” and “M.E.” are part of the copyright of Astral (working title).

 

 

Pt. Being…

radial-30One of my habits – bad or not – is a tendency toward complexity. In the late 80s my coworkers and I were asked to fill out the Myers–Briggs Type Indicator. It was not made a requirement, though some on the team viewed it as such. I was intrigued by the concept of sorting personality types into sixteen broad categories based on what seemed to be a relatively short questionnaire.

Of the categories, my personality type turned out to be ENTP* which means, according to the “test”, that I could be expected to be primarily interested in understanding the world. The MBTI also suggests that I enjoy debate and playing devil’s advocate.

tangled

Katharine Cook Briggs and Isabel Briggs Myers did not go on to say that I’d be attracted to intricate charts of relationships such as social media webs** and find visual thesaurus entries fascinating. If they had guessed that I would have these affinities they’d have been spot on.

Etymology and other fields of origin study are a large part of what occupies my musing when not seeking to craft entertaining worlds or unusual sculpture. My great grandmother once told me that to begin gaining a skill or cultivating a talent was to “first admire it”. I cannot remember not admiring eloquence.

But – as it turns out – having a silver tongue does not depend on strict adherence to every rule of grammar or an ever-expanding vocabulary. Effective communication can only be measured in terms of audience comprehension. I’ve always regarded “dumb it down” as a chore for myself and an insult to others. “Make it more accessible” seems more like a mission and a courtesy.

This is not to say that I won’t pause from time to time to hunt down a very precise and/or obscure word. There is a PDF of C. S. Bird’s Gradiloquent Dictionary on my hard drive. Somewhere in my collection of books is a physical copy of The Superior Person’s Book of Words by Peter Bowler. (I was once accused that I felt I was a superior person based on owning a copy of the latter.)

I will probably always find phylogenetic circular cladograms nearly equivalent to sacred geometry. I do, however, have to remain vigilant in keeping the famous advice of Clarence L. Johnson in mind. He, better known as Kelly, was the engineer who headed the Lockheed Skunk Works from during WWII until 1975. It is believed that he originated the principle of “Keep it simple, stupid.”

all

The MBTI structure indicates the types are based on preferences. Although my extrovert score is very high, it isn’t a constant. INTP is the introvert mode and that state is described as having the motto of “eschew obfuscation”. Sometimes that can feel like what I’m doing – all while trying to make an actual point. This means a lot of reminders to myself after enjoying the exploration of what may be to return to mission and work of what can be. That is enjoyable too.

venn


* ENTP people draw energy from interactions with people and tend toward the abstract while relying on logic and objectivity. We also like to keep our options open. That sounds more like me than Sagittarius.

** I haven’t found an app or add-on that can build the “hairball” illustration of 1,672 interconnected Facebook friends.

The Keirsey Temperament Sorter is a reasonable approximation of the MBTI, if you’re curious.


 

rex quondam…

For roughly two weeks, I have been pondering the concept of anarchy. In the present political climate of the United States I have heard members of both major parties accuse the other side of wanting anarchy. One calls their rivals proponents of lawlessness, the other follows suit. It does not matter if one side is correct or if neither argument has a foundation in fact. What are they actually suggesting?

Apart from this conflict – one that may have no resolution – there may not actually be any such thing as lawlessness and, therefore, no anarchy as the term seems to be understood à l’esprit de l’époque. If every human being is individually comparable to a nation then each person’s code of conduct amounts to their body of laws. Where a number of people choose to follow the same code, the result is a culture.

It is not irrational to propose that we all follow such a code whether consciously aware of it or not. The patterns that drive the sociopath and psychopath may be deduced. The criminal may be profiled. Such patterns and profiles are evidence of a code.

A completely chaotic environment is imagined of so-called failed states. History demonstrates, however, that society will resort to some form of might makes right after a collapse of the previous order. A warlord seizes power and imposes his or her code. A strict new system of law is implemented. Kant called this despotism. He offered the formula of a dominant force in control of the people without providing any law or for any freedom as barbarism. That’s precisely what most seem to think anarchy is.

Anarchy is actually the same as a republic, again following Kant, with one exception. An anarchic state rejects the use of force. The term originally implied the absence of a leader. There seems to be a tendency in human nature to demonize any person or group that make different choices about facets of a code of behavior – whether that’s a foreign power, a minority group or subculture, or an outlaw. Instead of being challenged to offense by other options it might cause less societal woes if the challenge accepted it to reexamine past choices.

The anarchist has a bad reputation that may only be deserved if the objective is to tear down a government and no replace it with something to address the functions of government.

For some time the work of T. H. White has been bumping about in my mind. In his tales of King Arthur the central figure is transformed by Merlyn into a variety of different animals. Each species and how it lives is a metaphor for a form of government. The goose serves as the emblem of anarchy. Young Arthur is to learn alternatives to might makes right by these experiences and he ultimately prefers the ways of geese.

The cause of war, White concludes, is twofold: dividing people by borders and making resources harder to reach will result in conflict. The goose is tolerant to a point – until another seeks its food or progeny. Each member of a flock of geese takes a turn on land as a sentinel while the others feed and as the tip of the v-formation in the sky. The position of “leader” rotates in all situations. Borders are circumvented and fresh resources are discovered by flight.

Camelot for anarchy

Arthur might never have become king. While living as a gander he learned to prefer their society to that of humans or that of any animal Merlyn forced him to examine. Just before the old wizard restored Arthur to human form the future king had proposed marriage to a goose named Lyo-lyok.

Given that, it’s a wonder King Arthur didn’t have a goose on his shield or banner. And given all of the above, I’m not convinced lawlessness can exist. Some of these musings and some other parts of T. H. White’s work have gone into the socio-political environment of Astral. There likely won’t be geese, though.


faites attention à le prelude…

Procrastination is the only thing we can do that we don’t put off to a later moment. Lack of action or progress is immune to that particular bad habit. Theories about why we delay generally distill to fewer than ten reasons. As this pertains to writing there are four essential factors.

• Will [___] be good enough?

There’s really only one way to find out. This is the virtue of making an effort. This element of procrastination has three main branches: A] Perfectionism, B] “Do I have the skill/talent to do this?”, and C] “Will anyone else find this interesting?”

Writing may not always result in gold but it does always count as practice. Don’t worry about an audience until the work is finished.

• As cool as I think [___] is, how do I know I still will x months from now?

I tend to rely on the notion that an actually good idea will return in due time. They’re never really forgotten and will have been refined (by the subconscious) during a hiatus. To a certain extent this is precisely the backburner on which A Song Heard in the Future sits.

For reasons that I assume are obvious my sense of heroism and patriotism tends to peak near mid-Summer. If a lull in writing hits then, I’ll harness my own emotion to explore what might cause characters to derive a sense of satisfaction – national pride or otherwise.

Though I don’t find myself subject to Winter doldrums many people on whom I rely as sounding boards do. If this causes a snag in inspiration or refining, I’ll spend snowy days pondering new locations.

If we learn something new everyday we can apply ourselves anew to a work-in-progress on a daily basis.

• I’m too busy for [___].

Arthur Golden worked on Memoirs of a Geisha for six years, research and writing included. J. R. R. Tolkien worked on The Lord of the Rings in several phases and over more than a decade. Pauses are justified and to be expected; they can be useful. What matters is returning to the effort.

• I’ll never be able to do as well as [___] again.

In all honesty the likelihood that any author (myself included) will produce a work that will sit next to the work of Ursula Le Guin, Octavia Butler, or Madeleine L’Engle is probably rather low. If any work-in-progress stands such a chance, how can there be any justification for not devoting every feasible waking moment to its completion?

And if it’s really that good, and you don’t write it, do you really want to see someone treat nearly the same material and do it badly?

Additionally, there are plenty of authors who are famous for a single book. Sylvia Plath wrote only one novel. Harper Lee, until very recently had a single book to her credit. In Plath’s case, she wrote poetry; work on a novel can be done between other writing. With regard to Lee’s “sequel”, it is now known to have been an early draft of her more famous work.

The answer to each of the above is the same: Recommit. Allow yourself to be compelled. Welcome it and your demanding Muse. Neglect of their role as psychopomp for your dream projects only makes them more relentless and subversive in their prompting.

Note: Two other potential factors are not considered here: A] “I don’t know where to start/what comes next?” and B] True depression. In the first case, do consult your muse and in the second, please consult a physician.

A Venn diagram – more commonly called “those overlapping circles” – illustrate how distinct aspects of a situation combine to create variations. When one is completely enclosed by another it describes relationships like “While all squares are rectangles not all rectangles are squares.”

Venn-stuff

Though I’ve never seen it done, they could also be used as a checklist to circumvent procrastination. In converse, addressing each factor outlined above make the Venn approach a process of elimination rather than permutation

It may seem ironic to post here about procrastination when Astral is not yet finished. When not musing here work on the far future, detective novel is and has been in progress. Venn-in-reverse is offered here as a reminder to myself not to worry, not to fear. The mission and message are cause enough to continually recommit. For the most part, I’ve only been taking breaks to sculpt, attend/vend at shows and conventions, and note ideas to address – yes, later.

Let the Muse court you. She’ll bring you flowers.


🌷