midnight oil…

Growing up I was not introduced to worship and faith in what I would describe as a helpful manner. That having been said, several members of my extended family were quite religious. The manner of their practice focused on the prohibitions and consequences rather than anything that could be described as love or virtue. I did get the lesson that we – human beings – were to oppose evil but there wasn’t any clear indication of an effective methodology.

Early on my experience with God distilled to an unrelenting and judgmental view of humans, in which they were essentially worthless, while giving them the loftiest of assignments. It isn’t remotely logical even to someone in grade school.

By the time I was twelve years old I divorced myself from attending church although, at that age, that wasn’t the phrase I used. I just stopped going. Theology became a cerebral, philosophical matter for me. For a time I dismissed faith as belonging to the same category as superstitious belief in fairies or magic. I did not embark on a life of deplorable behavior or debauchery. That path seemed dangerous; avoiding it was not based on the avoidance of sin. The concept of sin was also grouped with legends and fables.

As a subject theology (in a number of ways in which humanity has approached it) has stayed with me as an object of fascination. The notion of “evil” remains an idea that I’ll spend time pondering. A worthy handbook on the subject would, I think, provide 1. a concise but through definition of evil, 2. training on how to recognize it, and 3. procedures for to do when it found. Scripture and religious texts are actually fairly vague on these points – apart from praying to and praising the divine.

I have from time to time asked people how they address the first point. The most frequent answer is that evil is defined as “anything that causes harm”. On face value that makes sense but razor blade can cause harm. I wouldn’t call them evil. Given the assignment to resolutely stand against evil, usually no matter the cost – to attack it continuously until it is banished – it seems to me that evil has to be something so universally heinous that most people would agree, “Yeah. That has to go.”

From an intellectual stance and for more than a decade I used a formula in place of “evil”. What almost everyone else used that term to describe I would evaluate as a combination of stupid, crazy, and/or cruel. That does cover a wide range of objectionable behavior and wretched results. Were I to include a fourth element it would probably capture the willfully contrary and/or ignorant.

Stupidity does not require endless war; it can be “cured” with ongoing education. Insanity can be mitigated including by the hospitalization of those beyond treatment. The correction of cruelty falls in part within our education system and, failing that, our justice system. History has many example of how to correct those who deliberately oppose truth: shame, guilt, and other forms of peer pressure – resulting in exile as a last resort.

Evil would therefore be something outside those categories. I’m afraid I cannot provide Article I of a Moral Constitution. The above, I think, accounts for some of the things that evil is not. Recent research does, however, remind me that there are a few hundred named demons in past. There are fewer than 20 named demons in the Bible. Renaissance fascination with the occult provides most of the rest of the roster.

I once read that “public belial” used to be a crime. Unfortunately, I cannot find any proof of that now. Rather than working on the three-point handbook I may gradually add to a list of which demon represents what societal sin.

Belial – assholes generally; Mammon – unrestrained capitalism and obsessive greed; Baphomet – obstinate know-it-alls (à la “My mind is made up. Don’t confuse me with the facts.”); Dagon – anything that teaches, glorifies, or encourages poor behavior; Moloch – those who oppose and obstruct another’s effort to do an agreed upon good; Abaddon – fearmongers and those who foster enmity instead of amity; Pythius – peddlers of alternative fact and those who obscure truth.

sin-sign

In these times it is interesting to note that in 1818 Jacques Collin de Plancy gave Rimmon as the name of the demon ambassador of/to Russia. There’s another point of trivia from esoterica that I can no longer connect to a source. The above image of a symbol for sin. It is identical to one of the alchemical symbols for sulphur apart from the “rocker” at the top. Use it in good health.


⟢ ⟡ ⟣

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strangely familiar…

Since the release of Pokémon GO, I had been attempting to understand just why it had become a social media phenomenon. “I just like it.” That’s the most common answer given by pokénthusiasts – who are not just existing fans of the 20-year franchise enjoying a new expression of it – when asked why they play. At face value that is a perfectly reasonable explanation. Attempting to probe deeper may prompt defensive responses and/or accusations of being a hater of one type or another.

I have lately been borrowing a friend’s Pokédex to emulate their experience with the game – hatching, catching, and watching evolutions. There have not yet been any training nor any battles fought. The animation and use of color are certainly part of the appeal. The use of Google Maps in navigating the augmented reality fascinates me. First of all, it’s a very clever shortcut in coding I’m sure. It also appeals to my long-standing (and previously documented) love of maps.

Many – not all – of the creatures are cute and I cannot really claim to be immune or opposed to cute given my Pandora’s Pets creations. Like the Pets, Pokémon has a deep lore from which to draw. Admittedly, the mythology I’ve been developing for my little monsters isn’t as fast as that of Pokémon – yet. And just like the Pets, which are designed to help people with specific emotions, each of the pokémon might prompt a new thought.

One of the newest pokémon – released in Sun & Moon this past November – is Lunala, an emissary of the Moon. While preparing this post I discovered her and found myself saying, “Okay. When she’s in Pokémon GO I’ll play.” And then I found myself asking why I’d had that reaction. That is apart from her seeming particularly badass.

lunala.gif

She reminds me of Starhawk from Marvel’s original Guardians of the Galaxy comics (yet to appear in MCU films) and the Elven Man-o-war ships from the Advanced Dungeons & Dragons Spelljammer campaign setting.

starhawk trim.jpg

With a sci fi novel in progress and the intent to retrieving the ancient Greek myth story from the back burner, I’m not going to let myself get distracted. A few new ideas have popped up while examining this bit of zeitgeist and they’ve been filed away. But spending a little time at the PokéStop has reminded me of a few other strange things.

Johann “Trithemius” Heidenberg was an abbot known for compiling dictionaries and writing about cryptology. History also holds him to be an occultist, chiefly due to misinterpretation of his book Steganographia (written c. 1499). The term used as the title means, in essence, the art of hiding a secret message within a presumably mundane text. Trithemius chose to present this manual as a means to summon spirits that might then be forced to transmit messages over great distances. Depending on one’s perspective, the result would be clairsentience or a worldwide mystic web.

tritemius-wheel-v-pokeball

Trithemius’ decoder wheel and a poké ball.

Most of the abbot’s contemporaries seem to have missed the point – a lesson in code – and focused on the magic. The abbot was an opponent of the historical Dr. Johann Georg Faust and Steganographia inadvertently inspired a 16th century craze: catching demons. An advisor and astrologer to both Queens Mary and Elizabeth, Dr. John Dee, was all in – even designing a mystic sigil to represent himself and certain hopes. He was the first to use the phrase “British Empire” – and then as an aspiration.

John Dee would certainly have known about a number of spirit-catcher manuals including Steganographia, Ars Goetia, and Pseudomonarchia Daemonum by Johann Weyer. The latter two grimoires provide names and descriptions for a number of demons (72 and 69, respectively) along with the advantages of summoning and binding each one. King Solomon is said to have done this to speed construction of his famous Temple. Why not by Elizabeth I to expand the reach of Britannia?

medieval-pokemon-trainer

12th century Pokémon trainer waiting on that egg to hatch.

The origin of these spirits may have been the result of a misconception but they seem to be as difficult to “put back” as the woes and evils that sprang from Pandora’s box. Goetic names turned up through the French Revolution and now are mentioned in comic books and manga, TV shows and roleplaying games. At least half a dozen names that John Dee might have mentioned to his sovereign have been used in Pokémon’s cousin – Yu-Gi-Oh!

I’ve been aware of these opposite numbers to the Shem ha-Mephorash (המפורש שם, the Qabalistic hidden name(s) of God) since 1982 but from nothing more arcane that the DragonQuest rpg by Simulations Publications, Inc. (SPI). The spirits that Dee hoped to harness appear in the works of Wayne Barlowe since 1998.

In a conversation with my business partner, Leanna Renee Hieber, about all of these notions she made the connection that the Elizabethan obsession and pokémania had a lot in common.

Ladies and Gentlemen:

staryu-and-decarabia-copy

Decarabia as seen in Shakugan no Shana and Staryu from Pokémon.

Peculiar creatures and imaginary lore seem to have always been poking around the marginalia of our minds and zeitgeist. This was true when – in the mythology of the founding of ThebesCadmus fought a dragon and later became (evolved into?) one. The borders of Medieval manuscripts, including apparent wars with rabbits and snails, demonstrate that weird beasts would not disappear even given 3000 years. Pokémon may be the latest expression and if so folkfauna may evolve forever.

And we may never know why they keeping turning up, precisely why we like them, or what they mean. All this to say, I’m not completely sure that I shouldn’t at least nod a little toward all of this in Astral in some way. Hmm. I’m not completely sure I’ve a choice in the matter.

fill in the blank makes the world go round…

Not being an economist suggesting an alternative to existing answers to the problem of unlimited want v limited resources would very likely not provide a utopian blueprint. With that in mind, ideal societies are probably best left as part of the domain of satire and/or fantasy. Astral – the working title for my science fiction novel in progress – does not attempt to paint a grand and perfect future for humanity the setting. Nor is the setting a dystopia.

Blade Runner (Philip K. Dick, K. W. Jeter) mentions off-world colonies and the supposition is that they are not all people might hope. In Joss Whedon’s Firefly/Serenity we’re told, “Earth That Was could no longer sustain our numbers; we were so many.” There’s a streak of disposable planet in science fiction that my first love in the genre – Star Trek – avoided almost completely. The inhabitants of Earth had, in fact, abandoned a dangerous courtship with self-extinction and Starfleet’s mission to seek out strange new worlds was not just about mineral rights.

better-worlds

As mentioned in prior entries here, the world(s) of Astral spans about 60 solar systems. The motivation for expansion splits the difference between Earth being used up and something Neil deGrasse Tyson said about a year ago (Oct. 2015): “If you have the power to turn another planet into Earth then you have the power to turn Earth back into Earth.”

Most science fiction does not concern itself with the cost of putting fleets of ships in space and terraforming exoplanets. Again, not being an economist, I’m not planning on making any estimates in that regard. However, just as I’ve been musing on alternative political structures, the future on Earth’s colonies is not mute about the downside of capitalism and its contentious cousins.

There are at least half a dozen private entities reinventing space travel and while that’s thrilling it also based on some aspect of a profit motive. That has certainly been part of the equation in all exploration – from Magellan and before to NASA and beyond. This is probably not going away but it could actually get us into space even in the sci fi sense.

A friend of mine once observed that the utopia of Earth in Star Trek was not – could not be – based on some flawless ideology and the logical consequences of implementing it. Someone prior to the career of Mr. Spock had invented a machine that turned energy into matter. The cornucopian replicator solved all the quandaries of what to produce, in what manner, and for whom.

I wanted to argue with him at that point and part of me still does. Pointing to the problems in Star Trek has always bothered me and quite a bit of my thinking over the years has gone over the same steeplechase as others in fandom to mend plot holes. With Astral that’s a reminder to avoid some of them during the making of.

The Federation is not faced with the riddle of a used-up planet somehow still able to build enough ships to colonize and exploit strange new worlds. The philosophy of “The needs of the many outweigh the needs of the few or the one.” is a direct and natural result of technology solving major sources of waste, class-based tensions, petty behaviors and so on.

The first human colony in the world(s) of Astral was Mars. There are at least four links in a chain from there to α Fornacis/Dalim where the story opens. That chain is not a disintegrating set of broken and corroding links. There is without doubt satirical value in suggesting any human destiny in space will be a series of strip-mined worlds under runaway greenhouse atmospheres but I remain more hopeful… still.


ѱφ

seeks SFC…

For about the last 25 years I have posed this as a puzzle: Name four real people to whom you are not related that have contributed significantly to your identity. Once I’d formulated this pseudo-riddle I first answered it myself before presenting it to others. The result is not exactly a Favorite Heroes list and I’m usually suspicious of answers that come within an hour. It took me a year to provide my own response.

My selections were – Gene Roddenberry for teaching me that ideals existed and which might chosen, Jim Henson for demonstrating the value of purposeful whimsy, Carl Sagan for showing that all subject matter regardless of discipline can be interconnected, and Richard Scarry for making it clear that nothing is complete when regarded only at face value.

rushmore

From about the time this question had been crafted to the mid-90s each of these men passed away. Being dead was, therefore, not a requirement to make the Mt. Rushmore of Personal Sources. Neither should being a white male have been; it wasn’t intentional but it happened.

While it isn’t necessarily an exercise in favorite heroes (my list of those is somewhat different and longer) there is some similarity in both musings. Due in part to the emphasis in history and to traditional gender roles it’s just more difficult to find heroes who were or are also women. That may be one contributing factor in the true dearth of strong female characters.

When we do find them they seem to be required to be renegade warriors such as Katniss Everdeen or Black Widow. Further we must also see them as being in a relationship – more often with a man than not – or seeking one. A demonstration of sexuality has much more emphasis with female characters than with males. Buffy Summers’ story was sometimes more concerned with her romances with Angel and Spike than with actual vampire slaying.

The hero’s journey of a SFC takes a back seat to some man’s saga by the third act. River Song, Donna Noble, and Sarah Jane Smith (all from the Doctor Who franchise) are very capable characters and, while the series is about a titular man there’s no reason his story cannot be the B-plot. There has been some recent suggestion that the Doctor might some day be portrayed by an actress.

Dame Helen Mirren and Meryl Streep have both been advocates of broadening the roles available to women over 40 years of age to include more than just witches or grandmothers. Surely it should be easy to design a fictional role as homage to women like Abigail Adams or Dolly Madison – and without her motivation being only to support her husband in his career and ambition.

Both Molly Pitcher and Rosie the Riveter are folkloric amalgamation uncounted real women. A dramatization could certainly be written in in less than a year. But how would the writer address such women being driven back to more traditional and more subservient roles after the Revolution and WWII, respectively?

Boudica, queen of the Iceni and al-Kāhina, her Berber equivalent are worthy subjects, however both met quite tragic ends after living lives of sacrifice. These two and many other woman throughout history seem to be made to pay for their heroism-despite-gender with humiliation and/or execution. Small wonder that fictional sisters face comparable fates.

wrexie-leonarWhether it’s due to fear of aging and change or to any sense of being challenged by a woman this does have to change. “Strong female character” is not a description of a fictional person as it is the name of a problem. So I’ll be letting Carl Sagan graduate from Mt. Rushmore to Elysium – with Wrexie Leonard taking his place. She was the professional companion of Percival Lowell from about 1883 to 1916. She was a scientist in her own right and there’s no evidence she felt disappointed that she and Mr. Lowell never married or viewed life as she lived it as being tragic at the end.

keumala

Jim Henson will be found on the other side of the rainbow now because his spot is going to Keumala Hayati, laksamana (admiral). Not only was she Indonesian (a nation that contributes 25% to my ethnicity and heritage) but also an opponent of the status quo she and officially a diplomat. Her 16th century career in the navy of the Aceh Sultanate seems very likely to have brought her to the attention Queen Elizabeth I during the final year of said monarch’s life and reign. I have yet to find any account of her death and – in my opinion that gives a wide territory in which to invent legends of the Lion(ess) of the Sea; which I now have plans to do.

My business partner and coauthor on upcoming work, Leanna Renee Hieber, has recently written about feminism in the gothic tradition. Coming from her discussion on these topics definitely carry more weight then when it’s on my mind.


aceh

out of all knowledge…

History became legend, legend became myth…”

— Galadriel, Lord of the Rings, J. R. R. Tolkien

It is unfair to myth to let it become a mere synonym of error and/or antiquated, foolish notions. Joseph Campbell includes the following in description of term and its true function: “A ritual is the enactment of a myth.”

Rites serve civilization as on-the-job training for establishing the connection of individual to the social environment. Ritual dramatizes recognition – in the sense of both comprehension and the act honoring. Such practices serve as a foundation to assess our culture and, hopefully, to understand our talent and role within it. Myth is instructional metaphor intended to build sameness and community not bring it to raze and ruin. Ritual and mythology are far from absent in today’s society.

The word and its importance are being abused. At least half the time it is seen on the internet it is pressed into service as part of clickbait. “Ten Myths About…” is, more often than not, the beginning of an attempt at indoctrination – leading the reader away from genuine truth. This usage is propaganda not a mechanism that may imbue a person with effectiveness.

Myth and ritual used this way is exploitation of the trusting souls and their beliefs. Those who engage in this misuse view their targets as dupes and rubes; that’s exactly the strategy of a cult.

There is a dichotomy in how we view ancient civilization. In terms of their religion we represent them as naïve primitives without the sophistication to understand plainly stated morals given after highly stylized tales. Yet at the same time we laud the same people as the inventors of our celebrated ideas of republic and democracy. “Behold the gullible genius!”

The larger-than-life tale is best used as mnemonic device or as an attention-getting preface. In contrast the hoax and the bold-faced lie depend on reaching the impressionable.

For both the individual and society resisting indoctrination depends on enough introspection to know what we believe and why. We must maintain our memory (and history) properly fit and exercise due diligence to confirm new information before writing it into our memory as actual fact.

Critical thinking is our best tool after domesticated fire and the wheel. Healthy skepticism, however, is not the same as ineducable suspicion. Willful opposition to new data is deplorable embrace of ignorance. As a practice that is certain to earn us a reputation as superstitious post-Neanderthals.

taprobane

In 139ᴀᴅ Ptolemy is said to have produced a map of the demi-continent called Taprobane (Ταπροβανῆ). There is no evidence that he traveled across the Indian Ocean nor any account of his having been asked to describe any such journey. Still, for centuries others copied the gigantic island onto newer maps and expeditions hoped to find it.

Orson Welles’ radio adaptation of The War of the Worlds is famous due to the panic it caused. Following a similar dramatization in Quito, Ecuador on 12 Feb 1949 the aftermath was greater. As many as twenty people were killed. There is no record in either case of people simply changing the station.

Myth is not error or falsehood. Mistakes are mistakes and lies are lies. We are the vanguard against the latter armed with the former when properly understood and utilized.

Or else —

Five centuries from now will John McCain be on his way to being regarded as the builder of the Panama Canal and began construction of the Great Wall on the southern border of The United States of New Laurentia. Will the senator’s maverick nature eventually inflate his image to the equivalent of a Trickster god?

And how much truth will be salvaged about McCain by any euhemerism at the end of the next millennium?


rex quondam…

For roughly two weeks, I have been pondering the concept of anarchy. In the present political climate of the United States I have heard members of both major parties accuse the other side of wanting anarchy. One calls their rivals proponents of lawlessness, the other follows suit. It does not matter if one side is correct or if neither argument has a foundation in fact. What are they actually suggesting?

Apart from this conflict – one that may have no resolution – there may not actually be any such thing as lawlessness and, therefore, no anarchy as the term seems to be understood à l’esprit de l’époque. If every human being is individually comparable to a nation then each person’s code of conduct amounts to their body of laws. Where a number of people choose to follow the same code, the result is a culture.

It is not irrational to propose that we all follow such a code whether consciously aware of it or not. The patterns that drive the sociopath and psychopath may be deduced. The criminal may be profiled. Such patterns and profiles are evidence of a code.

A completely chaotic environment is imagined of so-called failed states. History demonstrates, however, that society will resort to some form of might makes right after a collapse of the previous order. A warlord seizes power and imposes his or her code. A strict new system of law is implemented. Kant called this despotism. He offered the formula of a dominant force in control of the people without providing any law or for any freedom as barbarism. That’s precisely what most seem to think anarchy is.

Anarchy is actually the same as a republic, again following Kant, with one exception. An anarchic state rejects the use of force. The term originally implied the absence of a leader. There seems to be a tendency in human nature to demonize any person or group that make different choices about facets of a code of behavior – whether that’s a foreign power, a minority group or subculture, or an outlaw. Instead of being challenged to offense by other options it might cause less societal woes if the challenge accepted it to reexamine past choices.

The anarchist has a bad reputation that may only be deserved if the objective is to tear down a government and no replace it with something to address the functions of government.

For some time the work of T. H. White has been bumping about in my mind. In his tales of King Arthur the central figure is transformed by Merlyn into a variety of different animals. Each species and how it lives is a metaphor for a form of government. The goose serves as the emblem of anarchy. Young Arthur is to learn alternatives to might makes right by these experiences and he ultimately prefers the ways of geese.

The cause of war, White concludes, is twofold: dividing people by borders and making resources harder to reach will result in conflict. The goose is tolerant to a point – until another seeks its food or progeny. Each member of a flock of geese takes a turn on land as a sentinel while the others feed and as the tip of the v-formation in the sky. The position of “leader” rotates in all situations. Borders are circumvented and fresh resources are discovered by flight.

Camelot for anarchy

Arthur might never have become king. While living as a gander he learned to prefer their society to that of humans or that of any animal Merlyn forced him to examine. Just before the old wizard restored Arthur to human form the future king had proposed marriage to a goose named Lyo-lyok.

Given that, it’s a wonder King Arthur didn’t have a goose on his shield or banner. And given all of the above, I’m not convinced lawlessness can exist. Some of these musings and some other parts of T. H. White’s work have gone into the socio-political environment of Astral. There likely won’t be geese, though.


exerceat histrionem…

During the history of cinematography, at least since the end of the Victorian era, at least one film adaption of a play by Shakespeare has been made every year but nine*. The enduring allure of the playwright’s work is not the tales themselves nor particularly the quality with which they’re perceived. In his own day, critics viewed him as ambitious beyond his talent. Today, apart from the Greek dramatists – most particularly Aeschylus, Sophocles, and Euripides – it’s difficult to name a rival if measured by the duration of popularity.

When number of portrayals by an actor is considered (again in motion pictures and television), the most famous creations of Sir Arthur Conan Doyle and Bram Stoker get more attention than Beatrice or Viola. In terms of time, Shakespeare’s work would have to fade completely then Dracula† and Holmes‡ would both still need almost three centuries to catch up.

In ancient Greece the focus on the stage was morality, usually through the exaggeration of undesirable traits. The Bard’s emphasis was less on the literal influence of mythological beasts and beings than on the metaphoric demons that drive our passions and lives.

The Great Detective and the Vampire Count are both power fantasies albeit in profoundly different ways. Taken as a whole, this very brief survey of noteworthy drama all concern the human road between some day and last day. That’s why they last as opposed to nostalgic efforts like Happy Days or That ’70s Show and dated entertainment not old enough for nostalgia to set in.

What we read and watch as a society is a little different from the same during an individual’s experience with fiction; it’s less about the human condition, more the condition of humanity. It’s impossible to predict whether Doctor Who will continue regenerating from actor to actor for the next 500 years. However, the scope of human history distills to the substance of just ten (or twenty) activities of people in groups.

We’ve been obsessed as a species with the following: ➀ Defense and Security, ➁ Information and Communication, ➂ Resources and Industry, ➃ Education and Labor, ➄ Culture and Weal (or Well-being), ➅ Transportation and Commerce, ➆ Planning and Governance, ➇ Law and Justice, ➈ Utilities and Services, ➉ Science and Technology.

Fortress

Any aspect of plot, notwithstanding a given hero’s specific journey, will fall into at least one category pair. The same is true of society in real life; these are all of the parts of civilization. What changes over time is the degree of sophistication in each. Without any prediction of whether Astral will survive for centuries, the story mainly involves 5, 8, and 10 (with the last being due to sci fi as the genre chosen).

It’s very easy to imagine that humans 500 years from now will still have forms of entertainment and that they’ll feature fictional humans. I’m having trouble picturing a future society that wouldn’t be described in terms of its approach to my [“DIRECT-PLUS”, © Thom Truelove] theory as stated.


* The missing years being: 1901-04, 1930-32, 1934, 1945

† Dracula has been portrayed in more than 270 films.

‡ Sherlock Holmes is short about 20 for close second.

the needs of the many…

There are probably no authors setting out to have a star or planet named in their honor. That said, very few would decline such homage. Asteroid 4659 and a crater on Mars bear the name Roddenberry. The creator of Star Trek likely didn’t include earning this sort of acknowledgement while developing the series.

Gene Roddenberry did, however, attempt to get the science right. He consulted scientists and engineers on a somewhat regular basis. He was also a student of his times and wanted to present entertaining adventures about the future blended with relevant social commentary. Nichelle Nichols, the original Uhura, famously tells a story that each episode was meant to be a modern morality play.

Countless people recount that original Trek inspired their choice of careers while not necessarily having achieving Roddenberry’s dream of humanity at peace with itself and unafraid of its future in mind. This phenomenon is not limited to math and technology either; I know of at least one lawyer who found the trial of Spock in the episode “Menagerie” fascinating enough to prompt study of jurisprudence. The humanism and idealism of Star Trek are very important facets of my long-standing desire to write and make art.

arrowhead

Many fans consider the reboot of the franchise to be less than worthy of the title and have branded it – somewhat pejoratively – as the “Abramsverse” or “NuTrek”. Paramount and CBS have recently attempted to get ahead of these descriptions. They’d like us to call it “The Kelvin Timeline”.

Chris Pine is the second actor to portray Captain Kirk. He has been quoted as giving the following response regarding the franchise shifting away from speculative futurism in favor of presenting an action thriller.

You can’t make a cerebral Star Trek in 2016. It just wouldn’t work in today’s marketplace. You can hide things in there – Star Trek Into Darkness has crazy, really demanding questions and themes, but you have to hide it under the guise of wham-bam explosions and planets blowing up. It’s very, very tricky. The question that our movie poses in ‘Does the Federation mean anything? And in a world where everybody’s trying to kill one another all of the time, that’s an important thing. Is working together important? Should we all go our separate ways? Does being united against something mean anything?

— Chris Pine, à la SFX Magazine

Star Trek was fond of Shakespeare references and there’s one that perfectly sums up the problem with the Abramsverse and the attitude expressed by Mr. Pine: “…it is a tale told by an idiot, full of sound and fury, signifying nothing.”

The last log entry by Kirk was wonderful fan service at the end of The Undiscovered Country and should now be interpreted by CBS and Paramount as exactly how fans would like to see Star Trek handled – rather than catering to a formula while implicitly demeaning the audience.

This is the final cruise of the Starship Enterprise under my command. This ship and her history will shortly become the care of a new generation. To them and their posterity will we commit our future. They will continue the voyages we have begun and journey to all the undiscovered countries, boldly going where no man… where no one has gone before.

As part of a recent presentation by Claire Legrand, Megan McCafferty, and Leanna Renee Hieber all three authors recommended that any authors in the audience write what they loved reading as children. Write what they wanted to read.

Best Faction map

In broad strokes I plan to cover some of the same ground as Star Trek did: the destiny of humanity in space and to what extent human nature might be baggage carried along the way. It seems fair to say that a writer must be the first fan of his or her own work. So I’ve charted my world(s)-building – applying a different rotation to the same field of real stars used for the Arrowhead interpretation. Astral’s interstellar factions overlapped each other in a previously posted map. That’s not the case in this new one.

At a convention I once attended both Gene and Majel Barrett Roddenberry recommended that whatever I might wish to see in Star Trek I should write and tell Paramount. I never did follow their advice but I may hide it under the guise of thoughtful speculation and all the things the Federation still means to me.